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Over Opiated in a Forest of Whispering Speakers

by Seven Nines and Tens

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pinkytheent
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pinkytheent Wowee! What a delicious feast of emotive, heavy, unpidgeon-holed musicality. I love all the subtle shifts and turns of mood and emotion these guys conjure. You can tell this was a group following their hearts and ears, not what anything "should" sound like expectation-wise. The fuzz-blasting guitars and the calm vocals seem to pair and balance perfectly, evoking both weight and desolate lightness, and the bass work and drum work are delightful and interesting. Fans of Boss Keloid, get in here. Favorite track: Let's Enjoy the Aimless Days While We Can.
MetalDipshit
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MetalDipshit Blending doomy heaviness with shoegaze textures, beautiful layered vocals and jazz inflections, this coalesces into a brilliant progressive modern metal album. Deserving of a much wider audience. Favorite track: Sunshine.
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Edutainment 04:27
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Sunshine 06:40

about

Over Opiated in a Forest of Whispering Speakers still features the sounds on which the band made their name (Post Hardcore, Shoegaze, Progressive Rock, and Math Metal), but features some new stylistic touchstones, such as 70's hard rock, classic rock, and more traditional metal styles.

IN STORES JAN 7, 2022

credits

released January 7, 2022

Over Opiated in a Forest of Whispering Speakers was recorded at Raincity Recorders in Vancouver British Columbia (Canada).

The album was written by David Cotton (guitar/vocals).

The album was produced by David Cotton, Matt Roach, and Adam Vee.

The album was mixed and mastered by Adam Vee.

The album cover was designed by Ahmed Emad Eldin. Eldin's most well-known work is the cover of the 2016 Pink Floyd Endless River album.

The Seven Nines and Tens logo was designed by Conrad Keely.

The layout for the record was done by Sage Davies

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about

Seven Nines and Tens Vancouver

Seven Nines and Tens were formed in 2007 by songwriter Dave Cotton.

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